“Vivacious and fearless”
“Soprano Sarah Joy Miller was excellent in the role of Thaïs. She has the voice and looks to carry this demanding role...the beauty of her singing became rapturous.”
Thaïs
Sarah Joy Miller, praised by The New York Times as “vivacious and fearless” is widely acknowledged as one of the industry’s foremost emerging talents. Ms. Miller first began turning heads at her New York City Opera and BAM débuts to great critical acclaim singing the title role of Anna Nicole Smith in the Royal Opera House commissioned opera Anna Nicole by Mark-Anthony Turnage. Recently, Ms. Miller returned to The Metropolitan Opera for their production of Orfeo et Eurydice and performed the title role of Thaïs for the Maryland Lyric Opera. 2020 engagements were to include performing the role of Violetta in La traviata with Inland Northwest Opera and Carmina Burana with New Choral Society.
Operatic highlights include her début at Michigan Opera Theater singing Gilda in Rigoletto, with subsequent returns as Leïla Les pêcheurs de perles, a role début as Marguerite in Faust, and Roxanne in David DiChiera and Bernard Uzan’s Cyrano; Musetta in La bohème at New York’s Symphony Space; Micaëla in Carmen with New York Lyric Opera; Mabel in The Pirates of Penzance and Violetta in La traviata with Palm Beach Opera; and Juliette in Roméo et Juliette at Opera Grand Rapids, Opera Carolina, Opera Tampa, and Lyric Opera Baltimore. Additionally, Ms. Miller joined the esteemed roster of The Metropolitan Opera for their productions of Rigoletto, Thaïs, L’elisir d’amore, Gianni Schicchi, and Adriana Lecouvreur in which she performed the role of Mlle. Jouvenot in her mainstage début.
Ms. Miller is frequently a guest artist on domestic and international concert stages including the Bolshoi Theater; Slovak Sinfonietta; the Chicagoland Pops Orchestra; the New York Choral Society; the Marcello Giordani Foundation; the Sergio Franchi Music Foundation; in Verona, Italy in collaboration with the Veronalirica Associazione; and is a frequent soloist with the St. Bart’s Music Festival. Concert engagements include performances of Carmina Burana with Dallas Symphony Orchestra; a “Puccini to Pop” concert with Tulsa Opera; Eternal Light: A Requiem with Distinguished Concerts International New York; and selections from Faust at St. Bart’s Music Festival. An advocate of bridging the gap between opera and musical theatre, Ms. Miller made her professional operatic début singing Mimì in Baz Luhrmann’s acclaimed Broadway production of Puccini’s La bohème and went on to reprise the role at the Ahmanson Theater in Los Angeles.
Ms. Miller’s musical collaborations and accomplishments reach well beyond the traditional scope of opera. Signed to Decca Records as part of the trio Three Graces, Ms. Miller recorded an album featuring contributions by the finest producers and songwriters in the pop music industry including Walter Afanasieff (Mariah Carey, Celine Dion), Desmond Child (Bon Jovi, Ricky Martin) and Guy Roche (Christina Aguilera, Michael Bolton). She co-wrote two of the album’s original tracks – “I Wish” and “Don't Let Me Forget” and recorded a Music video of “Requiem” for Panasonic.
Three Graces performs throughout the United States, Canada, and Mexico, and enjoyed an invitation to perform at a Youth Rally honoring Pope Benedict XVI’s visit to New York, among numerous televised appearances.
In 2013, she celebrated the release of her début classical album, A Glorious Dream, recorded with the Pannon Philharmonic conducted by Maestro Steven Mercurio in Pécs, Hungary, with a concert of arias and duets with orchestra at NYC's famed performance space, (Le) Poisson Rouge.
A regional finalist in The Metropolitan Opera National Council Auditions, Ms. Miller earned and was honored with an array of awards and scholarships including: the Palm Springs Opera Guild, Elizabeth Parham Vocal Scholarship, the Licia Albanese-Puccini Foundation, the Gerda Lissner Foundation, the New York Lyric Opera Competition, and the Jensen Foundation.
Anna Nicole
“One often leaves the principals for last, but Sarah Joy Miller’s performance as Anna Nicole set the tone for the entire cast. Brash and bubbling with a thoughtless unfocused energy, which seemed not to look around the next corner, but retained enough force to carry her forward, she mugged and gestured and danced like a Broadway pro. Her stationery moments were not reflective or even conscious, but only poses for her audience, and Miller captured that marvelously. Her voice as an opera singer, which was pretty much always in play for her part, was well-knit, consistent, and full. She used her big, widely-spaced eyes, which she seemed to be able to expand into small planets, with telling irony and wit. In a way she seemed more like Anna Nicole than the original.”
Juliette
“Miller’s Juliette was rightfully the hit of the show. She displayed a clear, bright, even soprano throughout the range demanded by Gounod, with a sparkling coloratura, but also with plenty of the warmth necessary for the love scenes. Equally impressive was her acting-never overdone but lively and believable. And she somehow made the blocking seem natural despite having to step into the role at such short notice. This was a tour de force of a performance.””
Leila
“Through it all, Miller’s lovely soprano never waivers.”
BOOKING
INQUIRIES:
Kathy Olsen, Manager
Encompass Arts, LLC
Kathy@encompassarts.com
(212) 439 - 8055
encompassarts.com
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